How to Cite:
Page, K.. ““everybody Do the Dance”: The Politics of Uniformity in Dancehall and Calypso”. Anthurium A Caribbean Studies Journal, vol. 3, no. 2, 2005, p. 11. DOI: http://doi.org/10.33596/anth.55
Page, K., 2005. “Everybody do the dance”: The Politics of Uniformity in Dancehall and Calypso. Anthurium A Caribbean Studies Journal, 3(2), p.11. DOI: http://doi.org/10.33596/anth.55
Page K. “Everybody do the dance”: The Politics of Uniformity in Dancehall and Calypso. Anthurium A Caribbean Studies Journal. 2005;3(2):11. DOI: http://doi.org/10.33596/anth.55
Page, K. (2005). “Everybody do the dance”: The Politics of Uniformity in Dancehall and Calypso. Anthurium A Caribbean Studies Journal, 3(2), 11. DOI: http://doi.org/10.33596/anth.55
Page K, ‘“everybody Do the Dance”: The Politics of Uniformity in Dancehall and Calypso’ (2005) 3 Anthurium A Caribbean Studies Journal 11 DOI: http://doi.org/10.33596/anth.55
Page, Kezia. 2005. ““everybody Do the Dance”: The Politics of Uniformity in Dancehall and Calypso”. Anthurium A Caribbean Studies Journal 3 (2): 11. DOI: http://doi.org/10.33596/anth.55
Page, Kezia. ““everybody Do the Dance”: The Politics of Uniformity in Dancehall and Calypso”. Anthurium A Caribbean Studies Journal 3, no. 2 (2005): 11. DOI: http://doi.org/10.33596/anth.55
Page, K.. ““everybody Do the Dance”: The Politics of Uniformity in Dancehall and Calypso”. Anthurium A Caribbean Studies Journal, vol. 3, no. 2, 2005, p. 11. DOI: http://doi.org/10.33596/anth.55
