Volume 14 -

Issue 1 - 2017

Back to all issues

The Work of Paule Marshall Today

Editor's Note

The Work of Paule Marshall Today

Kelly Baker Josephs

Special Collection: The Work of Paule Marshall Today
- PDF (EN)
19 Jun 2017

14(1):1
Contributors

Anthurium Editors

Special Collection: The Work of Paule Marshall Today
- PDF (EN)
19 Jun 2017

14(1):2

Article

"You have permission to do this" : John Keene Reflects on Paule Marshall's Influence

John Keene

Special Collection: The Work of Paule Marshall Today
- PDF (EN)
19 Jun 2017

14(1):3
"This house belong to me, now": The "Slumming" and "Gentrification" of Bedford Stuyvesant, Brooklyn as Experienced and Foretold by Paule Marshall's Brown Girl, Brownstones

Marlene Clark

Special Collection: The Work of Paule Marshall Today
- PDF (EN)
19 Jun 2017

14(1):4
Ghosts in the Posthuman Machine: Prostheses and Performance in The Chosen Place, the Timeless People

Justin Haynes

Special Collection: The Work of Paule Marshall Today
- PDF (EN)
19 Jun 2017

14(1):5
Paule Marshall Reimagining Caliban and Prospero in The Chosen Place, The Timeless People

Shirley D. Toland-Dix

Special Collection: The Work of Paule Marshall Today
- PDF (EN)
19 Jun 2017

14(1):6
"Threads thin to the point of invisibility, yet strong as ropes" : Afrofuturistic Diaspora in Paule Marshall’s Praisesong for the Widow

Janelle Rodriques

Special Collection: The Work of Paule Marshall Today
- PDF (EN)
19 Jun 2017

14(1):7
The Profane Ear: Regimes of Aural Discipline in Paule Marshall’s The Fisher King

Petal Samuel

Special Collection: The Work of Paule Marshall Today
- PDF (EN)
19 Jun 2017

14(1):8
"Her Special Music": Wild Women and Jazz in Paule Marshall’s The Fisher King

Patricia G. Lespinasse

Special Collection: The Work of Paule Marshall Today
- PDF (EN)
19 Jun 2017

14(1):9
Water, Roads, and Mapping Diaspora Through Biomythography

Lia T. Bascomb

Special Collection: The Work of Paule Marshall Today
- PDF (EN)
19 Jun 2017

14(1):10
“How You Mean?” Speech, Resistance, and the Contemporary Relevance of Paule Marshall

Jason T. Hendrickson

Special Collection: The Work of Paule Marshall Today
- PDF (EN)
19 Jun 2017

14(1):11

Volume 14 -

Issue 1 - 2017

Editor's Note

The Work of Paule Marshall Today

Contributors

Article

"You have permission to do this" : John Keene Reflects on Paule Marshall's Influence

"This house belong to me, now": The "Slumming" and "Gentrification" of Bedford Stuyvesant, Brooklyn as Experienced and Foretold by Paule Marshall's Brown Girl, Brownstones

Ghosts in the Posthuman Machine: Prostheses and Performance in The Chosen Place, the Timeless People

Paule Marshall Reimagining Caliban and Prospero in The Chosen Place, The Timeless People

"Threads thin to the point of invisibility, yet strong as ropes" : Afrofuturistic Diaspora in Paule Marshall’s Praisesong for the Widow

The Profane Ear: Regimes of Aural Discipline in Paule Marshall’s The Fisher King

"Her Special Music": Wild Women and Jazz in Paule Marshall’s The Fisher King

Water, Roads, and Mapping Diaspora Through Biomythography

“How You Mean?” Speech, Resistance, and the Contemporary Relevance of Paule Marshall

Issue Archive

Volume 18 - Issue 1 - 2022

Volume 17 - Issue 2 - 2021

Volume 17 - Issue 1 - 2021

Volume 16 - Issue 2 - 2020

Volume 16 - Issue 1 - 2020

Volume 15 - Issue 2 - 2019

Volume 15 - Issue 1 - 2018

Volume 14 - Issue 2 - 2018

Volume 14 - Issue 1 - 2017

Volume 13 - Issue 2 - 2016

Volume 13 - Issue 1 - 2016

Volume 12 - Issue 2 - 2015

Volume 12 - Issue 1 - 2015

Volume 11 - Issue 2 - 2014

Volume 11 - Issue 1 - 2014

Volume 10 - Issue 2 - 2013

Volume 10 - Issue 1 - 2013

Volume 9 - Issue 1 - 2012

Volume 8 - Issue 1 - 2011

Volume 7 - Issue 1 - 2010

Volume 6 - Issue 2 - 2008

Volume 6 - Issue 1 - 2008

Volume 5 - Issue 2 - 2007

Volume 5 - Issue 1 - 2007

Volume 4 - Issue 2 - 2006

Volume 4 - Issue 1 - 2006

Volume 3 - Issue 2 - 2005

Volume 3 - Issue 1 - 2005

Volume 2 - Issue 2 - 2004

Volume 2 - Issue 1 - 2004

Volume 1 - Issue 1 - 2003